Gene could see it through the fog—just the suggestion of it, really, its shape and substance blurred by the intervening white. But he knew it was there. He could feel it the way a man feels the presence of another in a dark room, by some sense that bypassed sight and sound and operated directly on the nerves. The drawing was in there. Carlton was in there. And somewhere, in the geometry of that building or the history it contained, was the answer to everything he had been seeking for two years.
His hands clenched into fists.
The nails bit into his palms, a sharp pain that cut through the fog of frustration and loss. He stood at the edge of the broken pier, his body taut with the desire to move forward, his mind churning with possibilities that all ended in the same place—the cold black water, the fall, the end of everything.
Swim?
The thought was insane and he knew it. The lake in this season was cold enough to kill within minutes, even for a strong swimmer in good conditions. Here, weighed down by clothes and boots, in water thick with oil and God knew what else, with no visibility and no way to know what lurked beneath the surface—it was suicide. Plain and simple. A faster route to the bottom than the fall itself, but the same destination.
He stood motionless, his breath coming in short, sharp gasps that misted in the fog and joined the general whiteness. The warehouse waited. The water waited. And between them, he was suspended, caught in a moment that offered no direction forward and no meaning in retreat.
Earl moved beside him.
The old man approached the edge as Gene had done, his grey coat brushing against the younger man's arm as he passed. He looked down at the water, at the gap, at the distant shape of the warehouse, and his face, what Gene could see of it in profile, was unreadable.
"He's there." The words were quiet, almost a whisper, but they carried in the muffled silence. "Somewhere in that building. Or on his way to it. I can feel it."
He stepped back from the edge, his eyes scanning the shoreline in both directions. The fog limited visibility to a few dozen feet in any direction, turning the world into a small, closed circle of grey with them at its center.
"We can't cross here. Not without a boat, and there's no boat. Not without finding another way around, and in this fog..." He shook his head, a small, rueful motion. "Easy to get lost. Easy to walk right off the edge of something and never know it until the water's closing over your head."
He turned, his gaze settling on something beyond Gene's shoulder.
"There."
Gene followed his gaze.
A building rose from the fog, its outline gradually resolving as they looked. It was larger than the warehouses, more substantial, built of dark brick that had weathered to a patchwork of blacks and browns and the occasional flash of original red where the surface had been protected from the elements. Its windows were tall and narrow, most of them broken, a few still holding fragments of glass that caught the grey light and turned it into dull gleams.
Above the main entrance, a sign hung at a precarious angle.
"The Mayflower."
Or rather, that was what it must once have said. Now, the letters told a different story. The 'M' was gone entirely, leaving only the ghost of its shape where the paint had been protected from fading. The 'a' was barely visible, a suggestion of curves. The 'y' had lost its tail. The 'f' and 'l' and 'o' were intact, but the 'w' had cracked in half, and the 'e' and 'r' had fallen away completely, leaving only the hardware that had once held them in place.
What remained was a word that was almost a word, a name that was almost a name, a message from the past that had been partially erased by time and weather and neglect.
"Mayflo."
Or perhaps "Mayflow." Or simply the suggestion of a ship that had carried pilgrims to a new world, now reduced to scattered letters on a rusted sign above a door that no one had opened in years.
Earl was already moving toward it, his steps confident despite the debris that littered the ground. Gene followed, his eyes fixed on the building, his mind working through the implications. An office building. From the days when the port was active, when ships came and went and men sat at desks and moved paper and made the machinery of commerce run. Now it was a shell, a carcass, a monument to industry that had migrated elsewhere and left its bones behind.
The door was metal, heavy, its surface painted decades ago in a color that had long since faded to a uniform grey-brown. Rust ran in streaks from every seam and fitting, staining the metal with the orange-brown of oxidation. And around its base, debris had accumulated—driftwood washed up from the lake, discarded packaging that had blown in from somewhere and never blown out again, the inevitable trash that collected in any forgotten corner of any forgotten city.
Earl reached it first. His hand closed on the handle—a simple bar, the kind that pushed down to release the latch—and he pushed.
Nothing.
He pushed again, harder, and Gene heard the mechanism groan, heard the protest of metal that had not moved in years, but the door held. Rust had done its work, had fused the moving parts into a single immobile mass, had turned a door into a wall.
Earl stepped back, his breath misting in the cold air. He looked at the door, at the debris around its base, at the building rising above them into the fog.
"Together," he said.
Gene moved to stand beside him. They positioned themselves shoulder to shoulder, their hands finding space on the rusted bar, their feet finding purchase on the slippery ground.
"On three."
Gene nodded. His heart was pounding again, the adrenaline of pursuit giving way to the focused energy of physical effort. The metal of the handle was cold through his palms, rough with rust, and he could feel the resistance of the door even before they began to push.