𝐿𝑎 𝑝𝑎𝑙𝑎𝑏𝑟𝑎 𝑞𝑢𝑒 𝑒𝑠𝑐𝑢𝑐ℎ𝑒́ 𝑢𝑛𝑎 𝑣𝑒𝑧
𝑚𝑎𝑟𝑐ℎ𝑎 𝑎𝑙 𝑐𝑜𝑚𝑝𝑎́𝑠 𝑑𝑒𝑙 𝑣𝑖𝑜𝑙𝑖́𝑛, 𝑢𝑛𝑎
𝑛𝑜𝑡𝑎 𝑚𝑢𝑠𝑖𝑐𝑎𝑙 𝑠𝑖𝑛 𝑎𝑡𝑖𝑠𝑏𝑜 𝑑𝑒 𝑚𝑜𝑣𝑒𝑟
𝑢𝑛 𝑐𝑙𝑎𝑢𝑑𝑖𝑐𝑎𝑟 𝑞𝑢𝑒 𝑠𝑒 𝑠𝑜𝑠𝑡𝑒𝑛𝑑𝑟𝑎́ 𝑒𝑛 𝑅𝑒.
𝑈𝑛𝑎 𝑟𝑖𝑚𝑎 𝑑𝑒𝑠𝑔𝑙𝑜𝑠𝑎𝑑𝑎 𝑒𝑛 𝑐𝑢𝑎𝑡𝑟𝑜 𝑐𝑢𝑎𝑟𝑡𝑒𝑡𝑜𝑠
𝑑𝑒𝑠𝑎𝑐𝑜𝑚𝑜𝑑𝑎𝑑𝑜𝑠 𝑒𝑛 𝑎𝑟𝑡𝑒 𝑚𝑎𝑦𝑜𝑟,
𝑎𝑛ℎ𝑒𝑙𝑎𝑛𝑑𝑜 𝑒𝑥𝑝𝑟𝑒𝑠𝑎𝑟 𝑚𝑒𝑡𝑎́𝑓𝑜𝑟𝑎𝑠 𝑎𝑏𝑠𝑡𝑟𝑎𝑐𝑡𝑎𝑠
𝑎𝑗𝑒𝑛𝑎𝑠 𝑎 𝑙𝑎 𝑐𝑜𝑚𝑝𝑟𝑒𝑛𝑠𝑖𝑜́𝑛 𝑑𝑒𝑙 𝑠𝑒𝑟 𝑦 𝑠𝑒𝑛𝑡𝑖𝑟
𝑆𝑖𝑛 𝑙𝑎 𝑚𝑒́𝑡𝑟𝑖𝑐𝑎 𝑚𝑒𝑑𝑖𝑟 𝑒𝑛 𝑡𝑟𝑒𝑠 𝑒𝑠𝑡𝑜𝑐𝑎𝑑𝑎𝑠,
𝑙𝑎 𝑟𝑖𝑚𝑎 𝑏𝑎𝑖𝑙𝑎 𝑑𝑒𝑠𝑛𝑢𝑑𝑎 𝑦 𝑒𝑛 𝑠𝑖𝑙𝑒𝑛𝑐𝑖𝑜
𝑠𝑒 ℎ𝑎𝑐𝑒 𝑎 𝑝𝑒𝑟𝑑𝑒𝑟 𝑎 𝑠𝑖́ 𝑚𝑖𝑠𝑚𝑎.
𝐸𝑛 𝑒𝑙 𝑎́𝑔𝑖𝑙 𝑐𝑜𝑚𝑝𝑎́𝑠 𝑑𝑒 𝑡𝑟𝑒𝑠 𝑣𝑒𝑟𝑠𝑜𝑠 𝑎𝑙 𝑓𝑖𝑛𝑎𝑙,
𝑦 𝑐𝑢𝑎𝑡𝑟𝑜 𝑎𝑙 𝑝𝑟𝑖𝑛𝑐𝑖𝑝𝑖𝑜 𝑟𝑒𝑣𝑜𝑙𝑣𝑖𝑒𝑛𝑑𝑜 𝑒𝑙 𝑎𝑟𝑡𝑒
𝑚𝑎𝑦𝑜𝑟 𝑦 𝑚𝑒𝑛𝑜𝑟 𝑑𝑒 𝑙𝑎 𝑠𝑖𝑡𝑢𝑎𝑐𝑖𝑜́𝑛.